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Dollhouse II
September 2012, Patissia, Athens
If you find the time, please come and stay a while
In my beautiful neighbourhood
In a hundred and ten they haven't paid the rent
So there goes the TV with the repo men
In 999 they make a living from crime
The house is always empty 'cause they're all doing time
In number 18 there lives a big butch queen
He's bigger than Tyson and he's twice as mean
In 666 there lives a Mr. Miller
He's our local vicar and a serial killer
~ Space, "Neighbourhood"
In my beautiful neighbourhood
In a hundred and ten they haven't paid the rent
So there goes the TV with the repo men
In 999 they make a living from crime
The house is always empty 'cause they're all doing time
In number 18 there lives a big butch queen
He's bigger than Tyson and he's twice as mean
In 666 there lives a Mr. Miller
He's our local vicar and a serial killer
~ Space, "Neighbourhood"
Labels:
..Black and White,
* Lumix DMC-LX3,
# Dirty old town,
1/13 sec,
F/2.2,
ISO-400
Dollhouse I
September 2012, Patissia, Athens
Who lives in a house like this?
They want to knock us down 'cause they think we're scum
But we will all be waiting when the bulldozers come
In a neighbourhood like this you know it's hard to survive
So you'd better come prepared 'cause they won't take us alive
If you find the time, please come and stay a while
In my beautiful neighbourhood
~ Space, "Neighbourhood"
They want to knock us down 'cause they think we're scum
But we will all be waiting when the bulldozers come
In a neighbourhood like this you know it's hard to survive
So you'd better come prepared 'cause they won't take us alive
If you find the time, please come and stay a while
In my beautiful neighbourhood
~ Space, "Neighbourhood"
Labels:
..Black and White,
* Lumix DMC-LX3,
# Dirty old town,
1/6 sec,
F/2.7,
ISO-400
Existential
September 2012, Patissia, Athens
This is obviously an abstraction symbolizing mankind's eternal fear of the dark and the unknown, of what lies beyond the tunnel, with religious and metaphysical undertones in the subject matter, while the loose composition subtly reminds us of man's existential agony in the face of death.
OR, this is me taking pictures stone drunk in the wee hours of the morning, and neglecting to keep my fingers away from the lens. Take your pick.
Labels:
- Technobabble,
..Black and White,
* Lumix DMC-LX3,
1/6 sec,
F/2.8,
ISO-400
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