I think I ought to tell her that the English left in failure and they don't go back to France except on hols But I saw her vivisect a man who wanted to correct her and the playground soon resembled Grand Guignol
~ 8in8, "The problem with the saints (Joan of Arc)"
When the wars are finally over and the damage has been done And the mushroom cloud has darkened out the lifeblood of the sun There will be no fucking countries, there will be no fucking one When the wars are finally over and the damage has been done
When the guns have all been fired and the ammunition's gone And the corpses lie in bloody pools to wait the break of dawn There will be no mound of earth left which to raise your flag upon When the guns have all been fired and the ammunition's gone
Did you keep a watch for the dead man's wind Did you see the woman with the comb in her hand Wailing away on the wall on the strand As you danced to the Turkish song of the damned
And as I sit and talk to you I see your face go white This shadow hanging over me is no trick of the light The spectre on my back will soon be free The dead have come to claim a debt from thee
Soaring over the sea with the wind in her sails and a knife in her teeth at the helm of a ship on its way to a distant shore Bermuda or Thailand an uncharted island
Sandy, we’re all getting older What will they do with us when they are through with us? Sandy, what are we sailing for?
One misty moisty morning when cloudy was the weather I met with an old man a-clothéd all in leather He was clothéd all in leather with a cap beneath his chin Singing "How d' you do and how d' you do and how d' you do again?"
No second thoughts, the knife is nearing You'll never hear the little pitter-patter pitter-patter of this little feat of engineering Of course I love you and of course it's what's inside that matters
Ladies and gentlemen, critics and hipsters, have you heard the new disc by the Evelyn Sisters? Seamlessly floating with grace between eras and genres, they sing timeless new songs, rife with double entendres.
We must hang up in the belfry where the bats and moonlight laugh We must stare into a crystal ball and only see the past And to the caverns of tomorrow with just our flashlights and our love We must plunge
After all this time, I understand nothing at all about colour. Absolutely nothing. It's impressing. I can only admit defeat and let GIMP handle it.
How does colour work? What does it mean? How should it be? How was it when I took the picture? Does GIMP know what it's doing? Do I, for that matter? No. No, I don't.
"And suddenly there was this huge mechanical failure and one of the engines gave out. And they started falling, thirty thousand feet... And then they splashed into the deep blue sea. Oh, it was a wonderful splash."
We must blend into the choir, sing in static with the whole We must memorize nine numbers and deny we have a soul And in this endless race for property and privilege to be won We must run
For portraits in particular, ALL RIGHTS ARE RESERVED.
About this blog
PHOTOGRAPHS are hastily scanned (when not digital) and poorly home-developed (when not by a professional) , very rarely cropped and never ever processed, and generally unblemished by anything that could make them, well, better. THE ABOVE STATEMENT is a lie, or rather has been a lie since March 2010. I tweak levels, lightness and contrast regularly (I even used a mask once), I often crop, and I've tried colorizing a couple of photos. I use GIMP 2.6. DATES are semi-random, give or take a couple of years or more.
LOCATIONS are approximately accurate. Usually.
TITLES are not necessarily relevant.
CAPTIONS are most certainly irrelevant.
TECHNICAL INFORMATION is sometimes wildly inaccurate. Labels include films which do not even exist. I think.
TECHNOBABBLE explains recent - digital - endeavours, from the point of view of a person who knows a couple of things about film photography and 35mm cameras but fuck all about digital anything. Don't expect insightful comments on technology, expect a novice's enthusiasm - or dismay - upon learning stuff everybody else already knows.