August 2012, LisbonAugust 20, 2012
Trickle
August 2012, LisbonAnd now I feel like an idiot.
My default film mode when using the Lumix is "B&W Dynamic", which (I assume) is B&W with some contrast, which (I guess) emulates better the old film practice of printing on "hard" paper.
During this trip, I shot almost exclusively in colour, and thought "that's alright, if I want B&W pictures, I'll process them later - how hard can it be?"
Apparently, A LOT. I just can't get it right. So what do I do from now on? Do I practice, fumbling blindly, hoping the right method will spontaneously emerge at some point? Do I look up tutorials? For what exactly? "Convert colour to B&W in a Jenny-satisfying manner"?
Ughh!
My default film mode when using the Lumix is "B&W Dynamic", which (I assume) is B&W with some contrast, which (I guess) emulates better the old film practice of printing on "hard" paper.
During this trip, I shot almost exclusively in colour, and thought "that's alright, if I want B&W pictures, I'll process them later - how hard can it be?"
Apparently, A LOT. I just can't get it right. So what do I do from now on? Do I practice, fumbling blindly, hoping the right method will spontaneously emerge at some point? Do I look up tutorials? For what exactly? "Convert colour to B&W in a Jenny-satisfying manner"?
Ughh!
August 19, 2012
August 14, 2012
August 4, 2012
July 30, 2012
July 25, 2012
July 21, 2012
July 14, 2012
July 13, 2012
July 9, 2012
July 5, 2012
Grotto
For some inexplicable reason, ancient theatres compel me to go for wild contrast. Why would they do that??
June 2012, Odeon of Herodes Atticus, Athens
July 4, 2012
Nasreddin I
June 2012, AthensCheap souvenir from Istanbul. Love it!
Light sources are the desk lamp (cool) and the room's lamp (warm). I'm debating getting a makeshift spotlight/reflector of some sort...
July 3, 2012
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