July 2009, Patissia, AthensNow, to consult the rules of composition before making a picture is a little like consulting the law of gravitation before going for a walk.
~ Edward Weston
skip to main |
skip to sidebar
This work, with the exception of Portraits, is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 Greece License.
For portraits in particular,
ALL RIGHTS ARE RESERVED.
A random collection of photographs.
Not bad enough to burn, not good enough to frame.
About Me
- Pirate Jenny
- Hostis Humani Generis
And you'll say:
"Why has she got
the evil eye?"
Elsewhere
Private property of popular culture is a contradiction in terms
This work, with the exception of Portraits, is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 Greece License.
For portraits in particular,
ALL RIGHTS ARE RESERVED.
About this blog
PHOTOGRAPHS are hastily scanned (when not digital) and poorly home-developed (when not by a professional) , very rarely cropped and never ever processed, and generally unblemished by anything that could make them, well, better.
THE ABOVE STATEMENT is a lie, or rather has been a lie since March 2010. I tweak levels, lightness and contrast regularly (I even used a mask once), I often crop, and I've tried colorizing a couple of photos. I use GIMP 2.6.
DATES are semi-random, give or take a couple of years or more.
LOCATIONS are approximately accurate. Usually.
TITLES are not necessarily relevant.
CAPTIONS are most certainly irrelevant.
TECHNICAL INFORMATION is sometimes wildly inaccurate. Labels include films which do not even exist. I think.
TECHNOBABBLE explains recent - digital - endeavours, from the point of view of a person who knows a couple of things about film photography and 35mm cameras but fuck all about digital anything. Don't expect insightful comments on technology, expect a novice's enthusiasm - or dismay - upon learning stuff everybody else already knows.
THE ABOVE STATEMENT is a lie, or rather has been a lie since March 2010. I tweak levels, lightness and contrast regularly (I even used a mask once), I often crop, and I've tried colorizing a couple of photos. I use GIMP 2.6.
DATES are semi-random, give or take a couple of years or more.
LOCATIONS are approximately accurate. Usually.
TITLES are not necessarily relevant.
CAPTIONS are most certainly irrelevant.
TECHNICAL INFORMATION is sometimes wildly inaccurate. Labels include films which do not even exist. I think.
TECHNOBABBLE explains recent - digital - endeavours, from the point of view of a person who knows a couple of things about film photography and 35mm cameras but fuck all about digital anything. Don't expect insightful comments on technology, expect a novice's enthusiasm - or dismay - upon learning stuff everybody else already knows.
Labels
- - Home Made (5)
- - Ruined (4)
- - Technobabble (31)
- ..Black and White (666)
- ..Colour (204)
- * crappy camera phone (16)
- * Lumix DMC-LX3 (593)
- * Minolta Dynax 500si (61)
- * Nikon D5100 (188)
- * Zenit 122 (2)
- ** Nikkor 18-55 VR (5)
- ** Nikkor 35mm 1.8 G (103)
- ** Nikkor 50mm 1.4 D (45)
- ** Nikkor 55-200 VR (35)
- # Close-ups (36)
- # Dirty old town (132)
- # Dirty windshield (34)
- # In concert (66)
- # Landscape (3)
- # Mecha (16)
- # Pets (28)
- # Photo-wanking (29)
- # Portraits (60)
- # Stage (29)
- # Street (61)
- 0.62 sec (4)
- 0.77 sec (2)
- 1 sec (8)
- 1.3 sec (6)
- 1.6 sec (4)
- 1/10 sec (32)
- 1/100 sec (30)
- 1/1000 sec (15)
- 1/125 sec (30)
- 1/1250 (1)
- 1/1250 sec (5)
- 1/13 sec (28)
- 1/1300 sec (9)
- 1/15 sec (23)
- 1/160 sec (15)
- 1/1600 sec (11)
- 1/2 sec (22)
- 1/20 sec (18)
- 1/200 sec (24)
- 1/2000 sec (10)
- 1/25 sec (26)
- 1/250 sec (30)
- 1/2500 sec (1)
- 1/3 sec (16)
- 1/30 sec (55)
- 1/320 sec (31)
- 1/3200 sec (1)
- 1/4 sec (24)
- 1/40 sec (17)
- 1/400 sec (21)
- 1/4000 sec (3)
- 1/5 sec (14)
- 1/50 sec (20)
- 1/500 sec (27)
- 1/6 sec (21)
- 1/60 sec (38)
- 1/640 sec (28)
- 1/8 sec (32)
- 1/80 sec (29)
- 1/800 sec (25)
- 2 sec (4)
- 2.5 sec (3)
- 3.2 sec (1)
- 4 sec (1)
- 6 sec (2)
- 8 sec (4)
- boston (1)
- EC -0.3 (5)
- EC -0.7 (8)
- EC -1 (3)
- EC -1.3 (13)
- EC -2 (1)
- EC +0.3 (5)
- EC +0.7 (6)
- EC +1 (4)
- EC +2 (2)
- f 108mm (3)
- f 112mm (1)
- f 122mm (1)
- f 123mm (1)
- f 138mm (1)
- f 147mm (2)
- f 150mm (1)
- f 160mm (1)
- f 165mm (1)
- f 174mm (1)
- f 180mm (1)
- f 183mm (1)
- f 202mm (2)
- f 225mm (1)
- f 240mm (1)
- f 24mm (9)
- f 262mm (1)
- f 26mm (1)
- f 27mm (1)
- f 300mm (7)
- f 35mm (3)
- f 44mm (1)
- f 45mm (1)
- f 48mm (1)
- f 52mm (100)
- f 55mm (2)
- f 60mm (7)
- f 75mm (45)
- f 82mm (8)
- f 93mm (1)
- F/1.4 (11)
- F/1.6 (1)
- F/1.8 (42)
- F/11 (5)
- F/13 (3)
- F/16 (8)
- F/18 (1)
- F/2 (51)
- F/2.1 (5)
- F/2.2 (22)
- F/2.3 (6)
- F/2.4 (6)
- F/2.5 (16)
- F/2.6 (7)
- F/2.7 (4)
- F/2.8 (346)
- F/20 (1)
- F/22 (1)
- F/3.2 (9)
- F/3.5 (6)
- F/4 (40)
- F/4.2 (4)
- F/4.5 (15)
- F/4.8 (3)
- F/5 (7)
- F/5.3 (4)
- F/5.6 (14)
- F/6.3 (8)
- F/7.1 (2)
- F/8 (117)
- F/9 (4)
- Film: Acupan 200 (1)
- Film: AGFA 100 (2)
- Film: AGFA T-Max 400 (2)
- Film: AGFA XRG-200 (1)
- Film: Fuji S-1600 (1)
- Film: Ilford FP4 plus 125 (8)
- Film: Ilford HP5 plus 400 (5)
- Film: Ilford Pan F Plus 50 (6)
- Film: Ilford XP2 Super 400 (4)
- Film: Kodak Profoto 100 (1)
- Film: Kodak TMY (6)
- Film: ORWO 400 (4)
- Film: ORWO CNS-100 (1)
- ISO-100 (114)
- ISO-1000 (11)
- ISO-1100 (4)
- ISO-125 (16)
- ISO-1250 (2)
- ISO-1400 (3)
- ISO-160 (1)
- ISO-1600 (30)
- ISO-1800 (4)
- ISO-200 (220)
- ISO-2000 (4)
- ISO-2200 (3)
- ISO-250 (3)
- ISO-2500 (4)
- ISO-2800 (2)
- ISO-320 (8)
- ISO-3200 (15)
- ISO-400 (198)
- ISO-450 (1)
- ISO-500 (1)
- ISO-5000 (1)
- ISO-560 (2)
- ISO-640 (7)
- ISO-6400 (3)
- ISO-720 (2)
- ISO-80 (60)
- ISO-800 (45)
- ISO-900 (1)
- nyc (49)